The newest chapter of Wandering Fortunes is up. In Chapter 31: Wandering Goofball, Ropak fights Thraundlus Kingdom soldiers to help Alden’s path to the dungeon stay clear. He runs into Top, and the two act like a pair of mad loons fighting the Thraundlus Kingdom. The Salenth Kingdom backs them up, but only if they can deal with Top and Ropak’s nonsense.
Chapter 27 is now up! Alden continues to bemoan his falling in love with an unattainable princess, but hope springs eternal when he learns she’s hosting a party soon and Top’s Pizza is doing some catering! He now has an in to meet the princess. Will he woo, or will he choke?
I’m charging into the final main edits for Wandering Fortunes–all I have is the final chapter. There’s more editing to do after that but that’ll leave me ready to post the rest of this story over the next year. I have a lot of work and a lot of projects, so I’m always busy.
And hey, if you want to help ensure I actually have the time to work on all these things, check out my Patreon! It’s a service where you can give a certain amount of money each month (like $1 or $3) and maybe get stuff from it. I’m gonna be posting chapter 28 for patrons later today, and I give weekly updates on what I’m doing, too. I also plan, if I reach a hundred patrons on there, to make Cloudy Cuckoo Cosmail a regular thing. If you can’t or don’t want to give monthly, I also have a Ko-fi where you can give a one-time donation of $3. Every bit helps!
(what am i actually doing this okay here we go)
CHARACTER CREATION! For most, this is no mere hypothetical. The Latin Alphabet is composed of 27 characters… or is it 26? 14?? I don’t know. But this is irrelevant. I am referring to characters in a story. Most stories have them. Stories that don’t exist may even have them. Stories that don’t exist as well. These two sentences are saying different things. Where am I going with this? WELL. Even the shortest, saddest story has characters, even if some of them are dead. Do baby shoes count as characters? Well, that depends on what kind of story you’re writing. Has anyone ever written from the POV of the baby shoes?
Longer, more involved stories, novels particularly, have a lot more characters, some of them even named! These characters are usually dealt with for so long that some backstory is in order. Sometimes it’s as simple as where they were raised; other times it’s a dark and brooding history of death and loss and that’s why they have this scar and this edgy haircut and wear a mask.
But in my case, I don’t just don’t have involved stories, I have an involved figgin universe. Lord of the Rings had a lot of history and only a few books. Discworld had over 40 novels and quite a bit of backstory, but I’m not sure how much. I forget if Rincewind’s parents are ever mentioned. But many writers, especially of a series with multiple books, write more backstory than ever gets mentioned in books. Having all this solidified lets the writing be more consistent; you won’t have a character mention their childhood on the farm and then in a later book we meet their high-profile business consultant parents. No, you decide early on their parents are owners of a taco stand, and you stick to that. Well, unless you come up with something better later, but then you have to make sure it doesn’t contradict what you have written into books, unless you just don’t care, because honestly, are we sure most readers are gonna care?
Anyhoo, how does character creation work? Well, you start out with a setting and generally have an idea of what kind of character you need. Meek accountant? Beefy accountant? Clownish accountant? Someone who’s not an accountant?? Maybe a small business owner who shows kindness to the protagonist, or a small business owner whose churlish attitude just shows them further how dismal the city they’ve arrived at is. A military general to fight in a war, or a cool kid friend to balance the nerdy friend. There’s lots of characters to choose from, and the general idea isn’t that hard to start from. Then you do a whole bunch of stuff like names and design that I don’t want to talk about today. I am going to touch on it, though. Because:
RANDOM DECISIONS: So the thing is that in real life a lot of peoples’ information is arbitrary. Not always–names might change based on who their parents are, date of birth might make when events in their life happen different, gender probably changes stuff. But for the most part a character can have any number of these things and still basically be the same. How do you decide? Um I just pull up a random number generator and let it decide for me. Names I’ll usually look at a list of names and choose one at random but like, date of birth? Random number. Gender? Random number (and yes, that’s on a spectrum–depending on the number, this character may be trans!) Do you need glasses? WELL YOU DON’T GET TO CHOOSE IN LIFE IF YOU NEED GLASSES, SO I WON’T CHOOSE FOR THESE CHARACTERS. Maybe. I have different species and some have naturally better eyesight. Maybe better eyecare is available for the affluent? You know, I use random number generation but still pull things in various directions.
And then there’s character interactions. Characters interact with other characters, usually, and having a backstory means they meet other characters. Once again I use a random number generator to go through my list of existing characters and find out–have they met in the past? If so, when? From this I get a clearer idea of a character’s history. (And in one case got a potential short story idea for the future!) Once I know who they’ve met I determine who they’ve met long enough to get an opinion or history with, and then–you guessed it–RANDOM NUMBER GENERATION. I get a random number, and the better the number, the better their relationship.
So for example, a group of senior generals for a kingdom’s military. Get a variety of personalities, some good, some bad. Maybe use RNG for this, maybe not. One of the generals is a nice guy, very jovial, everyone loves them and they’re one of the most personable generals. They have a family, they’re well-known and respected, and then as you’re grabbing random numbers to determine their relationship to characters they’ve met their spouse rolls a ONE. This loved character has the worst possible relationship with their spouse.
And so that’s how a well-respected, noble, adored general is secretly beating their spouse.
Not all is well in random number generation land. Sometimes it makes characters and settings harder–harder to figure out, harder to write. But realistically? I think adding the random element makes it more real. And it adds another dimension to a character and their history that wasn’t there before.
I mentioned characters meeting other characters in their past, and I’m actually going to talk about that more next week. After all, once you’ve put all this work into a character, why only use them once?
I actually randomize a…n almost bizarre amount of stuff in the Cloudy Cuckoo Cosmos. Some events I randomize–I’m pretty sure the initial setup of the four battles in chapter 17 of Darmenzi had the participants of the four fights randomized, and from there I just wrote how it would naturally play out. I hadn’t planned how they would turn out (though the orb then got nabbed by someone else anyway so it wasn’t that critical, I guess).
But that’s not all. Every time I develop a new character, whether premeditated for a future book or someone written in as I’m writing, I’ll open up a random number generator and randomly determine a number of features for the character, gender/sex being a big one. Regardless of any preconceived notions I have about a character, I’ll randomize what sex they are. (A lot of older characters I didn’t do this for because they’ve existed in such a way for so long.) Another datapoint: glasses. It turns out a lot of people nowadays need corrective eyewear. It’s not really such a nerd accessory anymore, and you can’t remove the need for vision correctiveness by just being cool (although you can just wear contact lenses, I guess).
Oh yeah, and sexual orientation. That’s randomized.
(Not all of these things are fully randomized, and some of them could be subject to change as I get to know a character. One character just had to have eyeglasses. Another character I simply realized, as I worked out the plot for a future story, was certainly homosexual.)
Anyway, my point here is that I randomly determine so much in writing that why don’t I try to use it to help me write blog posts? TO WIKIPEDIA’S RANDOM ARTICLE FEATURE
ong what if someone wrote a story with wikipedia’s articles as the characters, and there’s a group of article characters that are orphans ong
Er… there are a lot. Like, more than the population of a big town. More than the population of the town I used to live in.
And they’re all on a deserted island alone. There’s a Wikipedia war or something, probably like an edit war, and the orphaned articles get stranded on an island filled with pies, and only one of them can be Lord of the Pies, coming this fall to Reality Show TVision.
While talking on a phone, don’t think about how you’re sending vibrations up a tube and out a hole in your head that you morph into shapes along with a tentacle inside that hole in order to create random sounds that people interpret as speech.